My work offers a close up, intimate view of organic and historical imagery

coexisting with spontaneous expression, blurring the boundaries between the

recognizable and the imaginary realm. In this symbiotic relationship, the viewer is

invited to explore the juxtaposition of order and whimsy.

In this microcosm, the fusion of elements offers a fresh perspective on the

coexistence of diverse forms of beauty in our world. We are reminded of the

interconnectedness of humanity and the potential for positivity on a larger scale.

Heading to a residency at Millay Colony last September, I challenged myself to

start a new project with very simple supplies: water- based paint, spray paint, and

Yupo paper. I planned to use portraits I’d taken with my phone and portrait-like

drawings from my notebooks-images that felt too personal or “corny” in the oil

paintings I’d been working on in my studio.

This turned out to be ideal, as I embraced the limitations of my-self- imposed

regimen. I had already been exploring a sense of simplicity in my recent group of

oil paintings. In these works, I combined three core elements: (1) the background,

(2) a rendered image from photos I’d taken or from my current surroundings, and

(3) an image from my notebooks. I adhered to this trio of elements, even when

back in my studio and working with oil paint on linen.

I’m excited by the clarity of vision I’ve gained through these limitations. This

approach allows me to blend different styles within a single work- practice I find

visually stimulating and reflective of contemporary ways of seeing. At the same

time, it grounds me in traditional techniques like drawing and painting.